Some weeks ago while talking to my sister, she told me she tends to wear the fragrance I gave her for leisure time, Guerlain Jasminora, for work, to add a bit more softness especially when having difficult meetings with clients. She works at human resources so her meeting involve hard meetings with people from time to time.
I had found this phenomenon before myself, as I tend to wear tropical floral fragrances like Guerlain Terracotta Le Parfum or Madonna Truth or Dare during summer when it was raining outside. You would expect Terracotta or Truth or Dare to be more suited for hot weather but I like to add tropical warmth or sunshine with these fragrances and add a holiday sensation by wearing these.
You could try it for yourself, wear a really summery fragrance in another season, a very expensive smelling fragrance while going to the supermarket, an informal fragrance to a very formal occasion to feel more relaxed or a very glamorous scent while not dressing that way at all.
Chanel Bois des Iles is the fragrance I tend to wear when I want to add to glamour and richness to my outfit or Chanel 31 Rue Cambon when I want to feel I am dressing formally, like wearing a beautiful feminine tailored suit.
Do you wear your fragrances contrary to weather, occasion or outfit ? Tell us more about it !
Some time ago, I had the pleasure to speak to Grossmith owner Amanda Brooke and her daughter Kate Brooke at Fortnum and Mason in London. Entering Fortnum and Mason felt like travelling back in time 50 years or more. It was quite a pleasant and very English experience. We talked about Floral Veil and all other Grossmith fragrances.
Grossmith consists of Four collections, the Classic Collection, the Royal Collection, the Black Label Collection and the precious Baccarat Collection. The Classic Collection has three fragrances Phul-Nana, Shem-el-Nessim and Hasu-No-Hana. The Royal Collection consists of Betrothal and Diamond Jubilee Bouquet. The Black Collection has Floral Veil, Amelia, Saffron Rose and Golden Chypre.
Kate Brooke at Fortnum and Mason
What impressed me most about our meeting was Kate’s and Amanda’s openness and kindness. They were not only very honest about their daily experiences of owning a perfume house and selling perfumes but they were also genuinely interested to know and meet their customers.
Amanda Brooke and Kate Brooke
Amanda Brooke told me their clients want to know the notes in a perfume so they have little displays of them on their counter. Kate Brooke works at Fortnum and Mason at the Grossmith perfume counter. They also shared some irritations like people asking for samples without knowing their fragrances and people carelessly overspraying their fragrances before their counter. Speaking to them I understand their irritation as so much effort and money gone into their fragrances.
While explaining and showing me their fragrances, their eye for details struck me. Everything has been thought through very carefully from packaging to bottles, to counter, to little sample boxes with an included blotter. The complete packaging is made in the UK. It looks and feels quite luxurious, especially their boxes. The design of the bottle and packaging of the Black Label Collection was created by their daughter Eleonor Brooke.
When asking Amanda about the inspiration for the name Floral Veil she explained that it was the veil on the hat of her mother. But everyone has his/her own idea about a veil, depending on his/her cultural tradition. A floral veil might refer to a wedding veil as well. All names for the new Grossmith fragrances are created by the Brooke family.
Grossmith was originally founded in the City of London in 1835. Hasu-No-Hana was originally introduced in 1888. In 2009 Hasu-No-Hana was re introduced by the Brooke family giving the French fragrance house Robertet carte blanche financially to recreate this fragrance together with Phul-Nana (1891) and my personal favorite Shem-el-Nessim (1906). Kate Brooke told me Phul-Nana had been used as a verb as well, to get Phul-Nanad, to get well dressed to go out. A tin of Phul-Nana face powder produced in WW II can still be seen in the Museum of London.
I will not go into too much detail about the Grossmith history as the article will become too long but if you are interested, can read their fascinating story in Scent by Descent in The Telegraph. Or you might like to watch their story in the BBC 4 series Perfume, part 3, The Smell of the Future.
Shem-el-Nessim and Hasu-no-Hana Museum Pieces
The Perfume Lounge, Amsterdam, has very kindly offered a 2 ml sample of Grossmith Floral Veil for a give away. What do you have to do ?
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